I get very restless if I spend even a day not cycling. I don’t know why, but that’s what happens. When I’m not traveling, I regularly skip gym days. I don’t stick to routines. I don’t set an alarm. But when I’m out on the road, suddenly everything is regimented, and anything outside of my careful routine strikes me as almost frivolous. I wake up at 6:30am sharp pretty much every day. I’m on the road by 8am at the latest. Cities sort of become obstacles, because they break my routine. Also, hostels and other places to stay are close to tourist sites and not necessarily good grocery stores at which to restock on food. If I could just camp outside grocery stores, that would be great, but those tend to be high-traffic places where people would (gasp!) stop by my tent and question why I’m biking across Uzbekistan alone. The answer is supposed to be ‘because I like it’, right? The conviction has been lacking behind those words in recent weeks. Over tea and kebabs in Aktau I said it with a smirk and an abundance of swagger. 100km outside Bukhara I screamed it through tears into a suffocating desert headwind. Fortunately, as I rode for the Tajik border, conditions were about to improve dramatically.
A lot of riding and writing in this post, with fewer pictures. The scenery has been dull and somewhat unchanging day-to-day. This post covers three separate sections of the last bit of time. First, back to Nukus. Then on to Uzbekistan’s second desert, Kyzyl Kum to Bukhara. Finally, the ride from Bukhara to Samarkand along one of Uzbekistan’s most populated Silk Road corridors.
As I rolled my way past Jasliq, a tiny town out here in the vast expanse of Qaraqolpakstan, a local man walked up to me and, in perfect English, said “Hello there! What’s a dazzling urbanite like you doing in a rustic setting like this?” We shared a hearty laugh. This is probably one of my favorite lines from one of my favorite movies, Blazing Saddles. Newly-appointed Sheriff Bart has just ridden into the Western town of Rock Ridge, carrying Gucci-branded saddlebags, looking like a million bucks. But he’s obviously not welcome there, because he’s black, and the rest of the town is white. Gene Wilder’s character, recognizing that the Sheriff is out of his element, hits him with this line, which perfectly sums up the absurdity of the situation.